Meet Greg Enriquez

Master of Vocal Technique
Las Vegas, Nevada
Teaching the World To Sing
Follow top-ranked voice coach Greg Enriquez proven approach to instantly absorb vocal technique and get an edge in your singing.
About Greg Enriquez
Personally selected and endorsed by Maestro Seth Riggs to be his Associate in 1991, Greg Enriquez is regarded by several Entertainment Professionals to be the most effective and commercial Vocal Technique Instructor in Las Vegas. He has successfully coached hundreds of singers, dancers, and actors in every aspect of musical performance.

Though Enriquez maintains an active teaching schedule at his private studio in Las Vegas and at Maestro Riggs' studio in Los Angeles, he travels throughout the world as a Guest Lecturer and Teacher in Vocal Therapy and Singing Technique.

He has conducted clinics and private instruction for L.I.P.A. (Paul McCartney), A.C.M. (London, England), the Queensland Conservatorium/Griffith University (Brisbane, Australia), Green Institute of Voice (Munich, Germany), National Academy of Recording Arts & Sciences, Inc. (National Grammy in the Schools Career Day) featuring Clint Black, Jimmy Jam, Monica, Phil Ramone, Robi Rosa, Jose Behar, Desmond Child, and Deborah Cox, the Kennedy Center Alliance of Arts Education Network, and Ann Reinking's Broadway Theatre Project with Gregory Hines, Tommy Tune, Joel Grey, Pat Birch, Marilu Henner, and Julian Stein.

In the field of Opera, his pupils have won scholarships to several institutions including The Boston Conservatory. His Musical Theatre students include the youngest singer to play Sandy in Grease on Broadway (Lindsay Korman of NBC's Passions).

Greg was a special contracted Vocal Consultant for Solange Knowles (Columbia Records), the Tommy Hilfiger Britney Spears…Baby One More Time Tour, HardRock presents Hole…Celebrity Skin Tour (Courtney Love), BLAQUE (Columbia), Creations du Dragon (Celine Dion), as well as for the multi-million dollar productions Mystère (Cirque du Soleil) at the Treasure Island, Starlite Express at the Las Vegas Hilton, Legends in Concert at the Imperial Palace, Zumanity (Cirque du Soleil) at the New York-New York Hotel, Splash at the Riviera Hotel, Notre Dame de Paris at the Paris Resort, the Penn & Teller Show for FOX, the Havana Night Club, We Will Rock You at the Paris Resort, and LE RÊVE at the Wynn Resort.

In the area of Popular Music, many of Greg's students are currently working Production Deals with industry giants such as David Foster, Quincy Jones, Mike Post, Humberto Gatica, Mercury Records, EMI-Latin, and Sony-Japan.
Understanding singing is understanding a human's condition.
"Singing may be known mechanically, but it's best understood as an art form"
Greg Enriquez also has assisted numerous physicians who specialize in organic and functional disorders of the voice in Vocal Therapy. Greg holds the highest level of certification (5) and is a founding member of the Instruction Management Team for Speech Level Singing International overseeing teacher certification.

Greg far exceeds the required standard through continuous weekly one-to-one study with Maestro Riggs acquiring more than 600 hours of individual instruction and well over 7,000 hours of Master Class participations.
The Visionary
Speech Approach Singing
From Signor Mufti of the original Schola Cantorum, to his pupil Riccardo Daviesi and Antonio Cotogni, to their pupil E. Herbert-Caesare; on to Mattia Battistini, to Beniamino Gigli, to Tito Schipa, to John Charles Thomas, to Helge Rosvaenge, to Robert Weede, to Keith Davis, and to my teacher and inspiration Seth Riggs my eternal gratitude for vocal direction; this individual application of seventeenth, eighteenth, and nineteenth century Italian Bel Canto Techniques (including an intimate understanding of Castrati Techniques of vocal registration balance) is the particular vocal pedagogy and tradition that I have tried to follow, explore, and emulate for over 30 years. Additional support from Richard Miller and Dr. Ingo Titze are forever appreciated.
These techniques were forged and tempered by the fierce demands placed on the world's top performers throughout vocal history. It is exceptionally adaptable to a broad range of styles, because it does not force rigid technique. Applied in Opera to Rock; Jazz to Pop; Musical Theatre to R&B; it has also been practiced by actors to perfect their vocal presence and empower them in speech.

Since you are not learning WHAT to sing but rather HOW to sing and maintain an even balance through your passages, this Vocal Approach can be applied to any genre of music, language or style.

It develops a voice free of clutter, manufactured sounds, and over-culture. This Vocal Approach responds to both the immediate and structural problem of the individual singer including constriction caused by high larynx and the resultant inability of the vocal cord structure to allow easy pitch control and natural vowel formation in the throat. Techniques are successful for improving the voices of singers ages 8 to 85 and are particularly effective at rejuvenating senior and damaged voices.